MAYBE HAPPY ENDING (Broadway) Equity Principal Actors - Maybe Happy Ending Broadway LLC Auditions

Posted June 4, 2024
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MAYBE HAPPY ENDING (Broadway) - Maybe Happy Ending Broadway LLC

MAYBE HAPPY ENDING (Broadway) - NYC EPA
Maybe Happy Ending Broadway LLC | New York, NY

AUDITION DATE

Thursday, June 20, 2024
10:00 AM - 6:00 PM (E)
Lunch 1:30 PM - 2:30 PM - Sign-up ends on 6/18 Due to Juneteenth Holiday.

CONTRACT

Production (League)
$2537 weekly minimum

SEEKING

Equity actors for roles in the Broadway production of MAYBE HAPPY ENDING (See breakdown).

Venue: Belasco Theatre

All Equity stage managerial positions have been filled.

PREPARATION

Please prepare a brief contemporary musical theatre song that shows your style and vocal range. Please bring a headshot and resume stapled together.

LOCATION

Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504
Holding room - Studio 406

PERSONNEL

Producers: Hunter Arnold, Jeffrey Richards
Director: Michael Arden
Book: Will Aronson and Hue Park
Music: Will Aronson
Lyrics: Hue Park
Music Director: Deborah Abramson
General Manager: Foresight Theatrical/Allan Williams; Andrew Joy
Casting: The Telsey Office/Craig Burns; Jimmy Larkin

Expected to attend:
Jimmy Larkin - Casting Director

OTHER DATES

Rehearsals: Approximately August 5, 2024
Previews: September 18, 2024
Opening Night: October 17, 2024

OTHER

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

MAYBE HAPPY ENDING (Broadway)

SEEKING:

[JAMES/JUNSEO] - Character is male (cis, transgender or nonbinary), 40s–60s, Asian. James is Oliver’s former owner. James was in his late 30s when Oliver began working for him, and in his 40s when Oliver last saw him. Oliver probably remembers him on the younger side. James loves jazz and all sorts of outdated fashions and technology, passions that he has passed on to Oliver. Will Double as various other characters that Oliver and Claire encounter in the world. Bari-tenor who can sing with clarity and simplicity from B3-F4. Piano skills are a plus.

[U/S OLIVER] - Character is male (cis, transgender or non-binary), 20s—30s, Asian. Boyish and innocent appearance. A robot, specifically an obsolete Helperbot 3. Despite appearing very human, his emotional levels and physical movements are a bit less gradated than the Helperbot 5. He loves other forms of outdated technology, like LP players and paper maps and books. Optimistic by design, Oliver has always believed his former owner is eventually going to come pick him up from the discarded Helperbot apartment complex. Baritenor who can sing with clarity and simplicity from A3 up to a strong G4. Facility with straight tone is welcomed, as well as comfort with falsetto or light mix. Great physical control and movement, as well as comic ability. TO BE PLAYED BY DARREN CRISS

[U/S CLAIRE] - Character is female (cis, or non-binary), 20s—30s, Asian. Girlish and innocent appearance. A robot, specifically a Helperbot 5. As a model 5, she is capable of slightly more nuanced emotional shadings than the 3. Somewhat impatient with less advanced models. Claire has also forsworn any kind of long-term emotional bond, having observed at close range the broken relationship of the couple that owned her. A voice with clarity down Ab4 and a clean belt or strong mix Eb5. Most essential is control of mix/head voice up through D5 and facility with straight tone, perhaps erring outside of a traditional musical theatre sound. Great physical control and movement, as well as comic ability. TO BE PLAYED BY HELEN J. SHEN

[U/S JAMES/JUNSEO] - Character is male (cis, transgender or nonbinary), 40s–60s, Asian. James is Oliver’s former owner. James was in his late 30s when Oliver began working for him, and in his 40s when Oliver last saw him. Oliver probably remembers him on the younger side. James loves jazz and all sorts of outdated fashions and technology, passions that he has passed on to Oliver. Will Double as various other characters that Oliver and Claire encounter in the world. Bari-tenor who can sing with clarity and simplicity from B3-F4. Piano skills are a plus.

[U/S GIL BRENTLEY] - Character is male (cis, transgender or non-binary), 20s—50s, any ethnicity. A popular American big band leader from the mid 20th century, now remembered by a select few. Gil Brentley was James’ favorite jazz musician, and therefore is Oliver’s as well. Everything Oliver knows about human relationships he learned from Gil’s songs. Sings/croons in the style of a singer of the 1940s—50s (like Frank Sinatra or Nat King Cole). C3 to G4. Jazz piano skills a plus. TO BE PLAYED BY DEZ DURON

THE FOLLOWING ROLES ARE CAST:

[OLIVER] Character is male (cis, transgender or non-binary), 20s—30s, Asian. Boyish and innocent appearance. A robot, specifically an obsolete Helperbot 3. Despite appearing very human, his emotional levels and physical movements are a bit less gradated than the Helperbot 5. He loves other forms of outdated technology, like LP players and paper maps and books. Optimistic by design, Oliver has always believed his former owner is eventually going to come pick him up from the discarded Helperbot apartment complex. Baritenor who can sing with clarity and simplicity from A3 up to a strong G4. Facility with straight tone is welcomed, as well as comfort with falsetto or light mix. Great physical control and movement, as well as comic ability. TO BE PLAYED BY DARREN CRISS

[CLAIRE] Character is female (cis, transgender or non-binary), 20s—30s, Asian. Girlish and innocent appearance. A robot, specifically a Helperbot 5. As a model 5, she is capable of slightly more nuanced emotional shadings than the 3. Somewhat impatient with less advanced models. Claire has also forsworn any kind of long-term emotional bond, having observed at close range the broken relationship of the couple that owned her. A voice with clarity down to Ab4 and a clean belt or strong mix to Eb5. Most essential is control of mix/head voice up through D5 and facility with straight tone, perhaps erring outside of a traditional musical theatre sound. Great physical control and movement, as well as comic ability. TO BE PLAYED BY HELEN J. SHEN

[GIL BRENTLEY] Character is male (cis, transgender or non-binary), 20s—50s, any ethnicity. A popular American big band leader from the mid 20th century, now remembered by a select few. Gil Brentley was James’ favorite jazz musician, and therefore is Oliver’s as well. Everything Oliver knows about human relationships he learned from Gil’s songs. Sings/croons in the style of a singer of the 1940s—50s (like Frank Sinatra or Nat King Cole). C3 to G4. Jazz piano skills a plus. TO BE PLAYED BY DEZ DURON

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