Industry Pro

Cara Joy David dives into the eligibility decision surrounding Gutenberg!, and some good news on the regional front - success in one of the emergency fundraising campaigns at TheatreWorks Silicon Valley. Not only were they able to save their season, but exceeded their goal in a way that makes future planning possible and the full staff has been retained.

This week in the newsletter, we’ve got a look at how high schools can win a chance to be the first to produce Harry Potter and the Cursed Child, Cara Joy David takes us through the recent ruling in the Hal Luftig Company bankruptcy, and the Wall Street Journal takes a look at how some regional theatres are thriving in a challenging environment.

As we prepare for the parade (and we’ve got your guide on the Broadway performances below), we also get some good news out of the UK where Panto producers report that ticket sales are trending strongly in the right direction for the holiday tradition.

The funding models are changing - we’ve known this for more or less the whole time the industry has been re-emerging from the pandemic, and the struggles of regional theatres large and small as temporary government funding tied to the pandemic came to an end - but how are theatres in England doing one year after the reshuffle of national arts?

More data out last week about the impact of the arts on the economies of the cities and small towns that many regional theatres call home - and the results show that theatre not only contributes to the cultural life of a community, but is contributing significantly to the economic life of many small towns.

Some of our more significant stories this week come from across the pond: the first being that a new survey indicates that the vast majority of women working in theatre don’t feel like they are seeing an increase in opportunities. While the data comes from the UK, I think we would find a lot of anecdotal agreement in the US industry as well.

With the National Theatre announcing experimenting with an earlier evening curtain time, Cara Joy David explores whether a similar experiment will be making its way to Broadway. New leadership at the Raven Theatre in Chicago, and New Rep in Boston has announced that they will be closing their doors after 40 years.

From the start of this newsletter in the pandemic, we’ve been covering the evolution of the performing arts industry, and the articles we’ve compiled this week underscore that evolution in a big way. The first of those articles being the very question on if the nonprofit model is still working for arts organizations anymore.

This week, we’re looking at a few different crises facing theatres across the globe - from Pittsburgh, a story on staff turnover causing many organizations to raise wages, causing a new kind of financial strain. Data from Colleen Dilenschnieder suggests that many patrons of arts organizations might not realize that the organization is a non-profit.

In Minnesota, the Hennepin Theatre Trust recently reported a more than $115 million impact to the local economy, directly tied to their Broadway touring season. We’ve also got a story about the way in which some regional theatres have been able to rebound this past season, and are looking to capitalize on that momentum.

The Writers Strike is (likely) coming to an end - with a tentative agreement, Hollywood has taken a major step toward getting back to work. In New York, major changes to the leadership landscape are pending as both Carole Rothman and André Bishop announced that they will be departing posts at Second Stage and Lincoln Center Theater, respectively.

Pulitzer Prize eligibility has expanded, now including permanent residents and long-term U.S. artists, a significant shift outlined in The Guardian. In the regional theater landscape, celebrated playwright Tarell Alvin McCraney takes the helm as Artistic Director of the Geffen Playhouse.

This week, we invite you to nominate your favorite shows for the 2023 BroadwayWorld Regional Awards—as nominations open today and voting will begin later this fall. Cara Joy David takes us into the bankruptcy proceedings at Bay Area Children’s Theatre, and we look at what the secret sauce might be that is helping Santa Cruz Shakespeare thrive.

We explore the evolving landscape of the theater world, from the challenges theaters face in retaining subscribers to the crucial role of touring physical therapists in supporting theater professionals on the road. We also dive into recent legal dramas within the industry and discuss the changing dynamics of off-Loop theater in Chicago.

As theater professionals often compare the two systems, we uncover striking similarities amid their struggles. From dwindling public funding and corporate sponsorship decline to artistic leaders leaving and a shrinking arts journalism landscape, both sides of the Atlantic are grappling with a crisis that transcends national boundaries.

In this issue, we explore the efforts being made to sustain theater scenes in various cities, the evolution of Chicago's theater landscape, and the exciting announcement of a new Broadway musical adaptation. We also take a look at strategies to keep the curtain from falling on Seattle's theater scene.

In this issue, we uncover the varying success of Connecticut theaters, where Broadway hits thrive while mid-level shows struggle with ticket sales. We also look at multiple ideas on how to save the American theater - including a look at innovative approaches to funding in a piece by Cara Joy David.

This week, we’re pleased to introduce the new BroadwayWorld Marketing Hub - a comprehensive platform designed to maximize event visibility. Also, we look at the financial challenges faced by Lighthouse Immersive, creators of 'Immersive Van Gogh,' as they file for bankruptcy protection.

It’s a new beginning Monday, with a series of appointments into top jobs at regional theatres across the country, in the UK, and in New York - one sure sign that even though the industry is struggling in its recovery, that struggle is bringing with it a new generation of leaders to meet the challenge.

Last week, Broadway narrowly avoided joining Hollywood by coming to a tentative agreement on the Pink contract, after IATSE had voted to authorize a strike if they couldn’t find a deal. Amidst wide industry challenges, Cara Joy David explores the revenue side of the equation and the regional theatre subscription model.

IATSE was able to notch a win for their members this week as a new touring contract was ratified. However, the news wasn’t all bright in the theatre world as the Public Theater became the latest major institution to announce layoffs of their staff - laying off 19%, and announcing a deeper restriction on programming for next season.

From the intersection of politics and school plays to the evolving landscape of Broadway, we explore the trends and developments that are shaping the industry. We look at the industry as companies continue to battle headwinds - with Signature Theatre off-Broadway and Lookingglass Theatre in Chicago the latest to announce reductions in programming.

As regional theatres continue to deal with shortfalls, news of another closing (Triad Stage) and gap fundraising came to light last week. American Theater Magazine reported on the labor shortages and significantly higher materials costs that scenic and costume shops across the country are dealing with putting further strains on theater budgets.

It isn’t just the organizations - as cities and regions struggle with keeping their mass transit organizations afloat, this puts a further strain on theatre groups whose audiences and artists often rely on these methods of transportation to get to and from the theatre - as the San Francisco Chronicle reported this week.

We have all the highlights you need from Broadway's biggest night, the Tony Awards. Our team at BroadwayWorld worked tirelessly to bring you the full list of winners, mesmerizing performances, stunning red carpet looks, and much more. Relive the magic of this spectacular event and catch up on any moments you might have missed.